“Smooth as velvet” in Horta Museum

13/09/2024

As part of Brussels Design September 2024.

The Victor Horta Museum in Brussels, itself beautiful and worth a visit, continues its successful collaboration with artists and designers in Belgium. From 12 September, there is another reason to come to rue Américaine 27. In 2024, the Museum has invited 5 young artists to decorate it with velvet. The exhibition “Smooth as velvet” harmonised with the perfect interiors for which the great architect created both curtains and fabric wallpaper, as the Art Nouveau style is total and does not tolerate variation. We would say today that the House created by Horta for his family is a showroom of his architectural ideas. In this project, it has also become an experimental laboratory for young designers.

Sisters Flore and Pauline Fockedey, true Brusselsers, work with textiles and have decorated one of the rooms with a panel in delicate lettuce colours, a reference to the museum’s elegant chip. Anyone who frequents the Victor Horta Museum knows that the ‘seating furniture’ instead of the crude warning ‘ne pas toucher’, the chairs and armchairs are delicately covered with tiny, delicate seashells. The sisters have created a textile canvas upholstery for the room with these recognisable magnified in size, sea creatures. Pauline represented Belgium at the Venice Biennale in 2024 and there is an interview with her at the Belgian Pavilion on my website www.artreporter.be.

The second project that struck us was created by textile artist Louisa Carmona. She worked on the kitchen and utility spaces. Tablecloths, kitchen towels, all the textiles that accompany meals and add to the aesthetics of a mansion, especially a wealthy one. Linen tablecloths in the cupboard, neatly stacked, kitchen towels hanging on hooks are pleasing to the eye. The cosy household is artistically emphasised by the linen vases – plump and elongated – Louise’s works of art. An unexpected use of textiles and so effective in the exquisite Art Nouveau kitchen of the House!

Antwerp Design Week (ADW) 2026

Founded in 2024 by design curator Emma Vanbeckevoort and Geert Jan Van Cauwelaert, Antwerp Design Week quickly found its audience among both design professionals—eager for a meaningful annual networking platform—and the general public, who rarely encounter the latest...

S.M.A.K. celebrates the 40th anniversary of ‘Chambres d’Amis’ 

Ghent is one of the cities of Flanders, a stronghold of the bourgeoisie, and therefore historically French-speaking (the upper social stratum). Forty years ago, it gave the name “Chambres d’Amis” to an art project that temporarily placed artworks in the private homes...

Talking Heads: Portraits with a Story (1626–2026) at Kasteel d’Ursel

The portraits have found their voice at Kasteel d’Ursel, a splendid moated castle the colour of an unripe lemon, some 30 km from Antwerp, hosting the exhibition “Talking Heads” (1626–2026). It tells the story of the aristocratic d’Ursel family, whose dukes and...

Antony Gormley’s “Geestgrond” at KMSKA – Sculpture as a Sensory Experience

With Antony Gormley’s (b. 1950) Geestgrond, the Royal Museum of Fine Arts Antwerp (KMSKA) firmly positions itself within the international exhibition circuit. This is precisely the kind of show that earns a place on the must-see lists of influential art publications...

Art Brussels 2026

In 2026, Art Brussels welcomes artists, gallerists, and lovers of contemporary art with a distinctly spring-like, feminine, and delicate installation, “Cher mouths Mary, Mary mouths Cher” (2026) by Belgian artist Natasja Mabesoone (b. 1988). The fair commissioned the...

The Royal Greenhouses of Laeken – are opened to the general public

The Royal Greenhouses of Laeken are one of the most significant European greenhouse complexes of the second half of the 19th century, combining engineering innovation, palatial representation, and a botanical programme linked to the policies of the Belgian state...